My artistic endeavor involves a reinterpretation of the traditional Korean patchwork known as Jokakbo. Jokakbo is a craft deeply rooted in Korean heritage, characterized by gathering leftover fabrics to create large rectangular textiles. The process of combining diverse and random shapes into a cohesive whole resonates with the collaborative nature of our society, where individuals from different backgrounds come together in their shared journey through life. Given the perpetual presence of furniture in human lives, I sought to infuse the essence of people's experiences into my work by drawing parallels to human society through the medium of Jokakbo. The structure, pattern, and colors of the piece were meticulously inspired by Jokakbo and traditional Korean artistry. In designing this furniture, a significant aspect involved the incorporation of asymmetry within a unified framework, mirroring the random geometric shapes inherent in Jokakbo. Consequently, both the structure and fabric patterns on either side exhibit a deliberate lack of symmetry while maintaining a harmonious correspondence. Additionally, the color palette draws inspiration from the traditional Korean five cardinal colors, chosen with the intention of creating a warm and inviting atmosphere suitable for placement in private spaces. This furniture piece serves as a visual representation of coexistence and harmony, echoing the thematic essence of "Jokakbo" that reflects the harmonious collaboration within our society.

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